Shanghai >> Shenzhen | aerophotography

Shanghai - Shenzhen | December 4, 2015

Earlier this month, MovingCities flew from Shanghai 上海 to Shenzhen 深圳.
In the past we have contextualized our aerophotography adventures by introducting a 24-year old Portuguese priest making real airplanes (from real paper) in 1709 (here) or discussed the relation between aerophotography and the work German apothecary Julius Neubronner [1852-1932] (here). This time around, we an introduce A. F. Mozhaisky [1825-1890] – an admiral in the Imperial Russian Navy, aviation pioneer, researcher and designer of heavier-than-air craft (source).

VHILS | Dissecting the City | MARK magazine#52

Throughout the past decade, Portuguese artist VHILS – born Alexandre Farto [Lisbon, 1987] – has been making a name for himself by taking apart and reassembling found objects. He uses a multitude of materials and formats to voice his stance on the city, which he bases on his experience of living and working in Shanghai 上海, Moscow, New York, Madrid, Rio de Janeiro and Paris. VHILS now condenses his findings in his home town Lisbon, drawing from his work to produce a collective memory of the city. MovingCities published, in the October-November 2014 issue of Mark magazine #52, an interview with Portuguese street artist: read VHILS | Dissecting the City.

ADAPTATION 应变 | La Biennale di Venezia exhibition at Palazzo Zen

ADAPTATION 应变 – architecture and change in China 中国的建筑和变化 // La Biennale di Venezia – Architecture 2014 Collateral Event // Curators 策展人: Marino Folin 马力诺·福林 & MovingCities [Bert de Muynck 伯德孟 & Mónica Carriço 莫妮卡·卡瑞苏] Architecture/exhibition design 建筑/空间设计: O-OFFICE 源计划 工作室 Organizer 主办单位: EMGdotART Foundation 雅伦格文化艺术基金会 Supporter 协办单位: EMG 雅伦格

Shanghai | 2013 Westbund Biennial

Vertical Glass House 垂直玻璃宅 by Yung Ho Chang 张永和|2013 Westbund Biennial Shanghai

In few days time, the 2013 WestBund Biennial in Shanghai 上海 will close its doors. While MovingCities attended the opening ceremony on October 20, we went for a re-visit last week. That day, we found that several pavillions, including the main exhibition hall, were already shut down [and that one week prior to the official end]. We experienced a new type of event. In contrast with celebrated and well-communicated pre-openings, why not include the silent pre-closure as part of the program as well? Background to the biennial and the revitalization of the Westbund Riverfront.